Last Edited:
Monday, April 30, 2007 11:52 PM -0500
| Last Updated:
Monday, April 30, 2007 11:52 PM -0500
These are the chapters from my Ph.D. thesis in Sanskrit and
Philosophy, Banaras Hindu University (BHU). I've also posted the reviews of
the examiners. The original intention behind my resettling in Benares was to
study Indian philosophy, particularly the Vedânta, in its original Sanskrit
texts. Hence, my choice of Indian (and Western) Philosophy, Sanskrit and
English Literature for my B.A. The decision to do my M.A. in Sanskrit
Literature (along with philosophical texts in the original) was fueled by
the desire to master the intricacies and nuances of the language. Ever since
I stumbled on Shântarasa and Abhinavagupta's
Philosophy of Aesthetics (Masson & Patwardhan), it became clear
that my Ph.D. research would be focused on the meta-psychology of Rasa.
While in Poona completing my German studies, I chanced upon
a rambling lecture by Rajneesh on the relation between "The Aesthetic and
the Mystical Experience" that held me spellbound. I subsequently learnt that
he was actually pegging his own insights onto a free English translation of
the Vijñâna-Bhairava Tantra, a discovery that led me to the study of
'Kashmir Shaivism'. I re-discovered a profound mystic and philosopher in
Abhinavagupta, whom I had till then known primarily as a theorist on
aesthetics albeit in relation to spiritual emancipation (shânta-rasa).
In relation to my thesis, this translated into a reconsideration of his
rasa-theory in the light of the Tantric
transmutation of not just the human emotions but also of their biological
underpinnings. From the late 70s, I began reading the original Trika texts
with Âchârya Rameshwar Jha, a life-long ascetic though householder Vedantin
(Sanskrit grammarian and Nyâya logician), who had subsequently embraced
Abhinava's understanding of (the supreme) reality. Jhaji was subsequently
honored by BHU, during the same convocation where I was officially awarded
my Ph.D., with the title 'Mahâmahopâdhyâya' alongside other luminaries such
as Mother Teresa, Ravi Shankar and M.S. Subbulakshmi.
The original plan was for a thesis on the "Metapsychology
of Rasa" covering all the nine dramatic emotions from an aesthetic,
psychological and spiritual perspective. With the burgeoning materials and
the multiplicity of sources, the scope became increasingly restricted to
love (shrngâra), pathos (karuna),
tranquility (shânta), and humor (hâsya).
The latter was included only because I found in Gurdjieff's theory of
laughter a penetrating insight for clarifying Abhinava's own sweeping
statements on the nature of
hâsya. My encounter with Kuiper's Varuna and
Vidûshaka suddenly thrust the (ritual) clown into the limelight leaving
little room in my thesis for any other sentiment but humor (and its
semblance). This opened the floodgates for incorporating my recent and
ongoing attempt to come to terms with the challenge posed by (especially
French) anthropology to the interpretation of Hindu tradition. The
perceptive reader will recognize, everywhere in the thesis, the
back-and-forth of a three-way dialogue between Abhinavagupta's treatment of
the emotions, the proliferating discourse of modern
scientia, and myself as a creative mediator.
Son of the renowned neo-Vedânta philosopher, Kalicharan
(K. C.) Bhattacharya, Kalidas Bhattacharya, a philosopher in his own right,
was included as an Indian examiner at the insistence of my supervisor A.K.
Chatterjee. Given my transgressive approach to Hindu tradition, I expected
the worst from this widely respected scholar with whom I never had any
direct contact, neither before nor after the award of the doctorate. This
may have well been the last thesis he examined before his demise shortly
thereafter. His report was not only the most unreserved in endorsing the
thesis, it was also the earliest to be turned it to the University. I
probably owe him my subsequent University Grants Commission Research
Associateship.
Prof. A.K. Chatterjee
(Dept. of Philosophy, Banaras Hindu University)
My original supervisor was the Vedânta scholar, Ramakant
(R. K. ) Tripathi, who retired well before my completion of the thesis.
Ashok Kumar Chatterjee, generally considered the brightest among the
students of the neo-Vedântin Mâdhyamika scholar, T.R.V. Murthi, specialized
in Vijñânavâda Buddhism.
Prof. F.B.J. Kuiper
(Kern Institute, Leiden University)
I owe my initiation into the mysteries of Vedic religion
to F.B.J. Kuiper, whose magnum opus on Varuna and Vidûshaka
I first discovered through Charles Malamoud, and whose friendly mentorship
in interpreting Indian mythology was facilitated by our common friend, John
Irwin, of (pre-) Ashokan pillar fame. An enthusiastic convert, I
subsequently helped clear the publication of his
Ancient Indian Cosmogony with Vikas Press (New
Delhi). We were engaged in a long and fruitful correspondence (by snail
mail!) even as I was preparing my Ph.D. thesis. Though not selected from the
original list of proposed examiners deemed competent to judge my thesis, the
thesis was eventually sent to him because of delays in receiving the final
report (hence the brevity of Kuiper's report). As for the cited relevant
correspondence, I've resorted to the artifice of using the format of an
email exchange between Benares and Leiden for the hand-written/typed
letters. Kuiper was being seriously considered for an honorary D.Litt.
degree by BHU for World Sanskrit Conference, but was unable to come in
person for the award (which went instead to Paul Thieme). He is one of those
rare Indologists with a mastery of Indo-European linguists, Sanskrit,
Dravidian and aboriginal (Munda, etc.) languages.
Byrski, a specialist of (both classical, folk and
contemporary) Indian theater, hails from a Polish family intimately involved
with practical theater. He had lived and studied in Benares (where he
learned English) well before my domicile there. We met for the first time
during the World Sanskrit Conference at BHU, at a time when he was the
Solidarity representative at his faculty in the Univ. of Warszawa. Though
the report arrived well after I had been awarded the Ph.D., it is the most
detailed chapter-by-chapter review, whose lessons I have largely absorbed.
Byrski was subsequently appointed Polish ambassador to India.
Viva Voce report
(Dept. of Philosophy, Banaras Hindu University)
This report was in striking contrast to the
pre-submission oral focused on my thesis abstract above: the first thing
that seems to have popped the eyes of our new Head of Dept. was my
'scandalous' comparison (let alone assimilation...) of the sacrosanct
Ganesha with the clown of the Sanskrit theater. The Benares Hindu University
would become the laughing stock of the world, he affirmed, when the
newspapers report that someone had thought fit to submit a thesis on a
subject so un-serious as hâsya (humor). The rest of
the departmental committee eventually bullied him into submission with
the pragmatic observation it didn't make sense to object to the title of a
thesis after it had already been completely written. If our humorless neo-Vedantins
would stoop to read the Puranic mythology, they'd see that even the moon
couldn't restrain himself from laughing at the elephantine Ganesha riding on
his weenie mouse...for which disrespect the lord of the night duly suffers
every month from consumption.
The Problem Defining Humor - incorporating the behavioral model within
personal knowledge
Paving the ground for
Abhinava's conception of humor with a constructive critique of empiricist
approaches also served to exorcize the ghost of my love-affair with
behaviorist and social psychology. The religious passion that my teenage
years channeled into science (particularly abstract physics, evolution and
genetics) converged into the question "Who am I" which initially got
translated into an infatuation with experimental psychology on which I
started collecting an eclectic library in Kuala Lumpur. My academic
ambitions were diverted into a desire to study the subject at a British
University. However, in the course of the two years of science curricula
between taking my Ordinary (O-level) and Advanced (A-level) Cambridge Exams,
I decided it would take me too many lives waiting for psychology to evolve
from the confusion of rats in mazes to some real insights into the human
psyche that would give me a workable framework to live by. Having been
exposed, in the meantime, to Swami Vivekananda's popularization of Yoga (and
Vedânta) and becoming increasingly disillusioned with the amorality of
modern science, I finally decided to make a clean break by moving to India
in early 1972 to study the introspective methods of traditional
'psychology'. By the time I began this thesis, it seemed that the experience
of rasa would offer the best bridge.
Acknowledging my spiritual debt
to Gurdjieff, who had kept me alive until I discovered Abhinavagupta, has
served two complementary purposes: to facilitate the translation of Trika
techniques for the expansion of consciousness onto a 'materialist' idiom
more consonant with the everyday life of modern man, and to render Indian
philosophical tradition(s) and cultural sensibility more accessible to those
struggling to escape the ubiquitous prison of a 'triumphant' materialism.
Carrying the presuppositions of behaviorism well beyond the academic
pretense of the laboratory into the existential reality of even the most
'cultured' of humankind (to the point of rejecting the notion of self),
clears the ground for a better appreciation of traditional cultures that
were formulated around the experiences of those privileged beings who had
somehow reversed the 'behavioral circuit.' Gurdjieff told P.D. Ouspensky,
who had traveled in vain through India In Search of the Miraculous,
that the only thing he'd find there were 'philosophical' schools, which is
what the 'Doctrine of Recognition' (Pratyabhijñâ) might have remained had he
not prepared me with his teachings such as 'self-remembrance.'
"I would like to challenge one
important aspect of [Sunthar's] approach, not because I consider it to be
invalid but because it impresses me as construed upon, so to speak, external
premises. This is so because the general tendency of [Sunthar's] argument seem
to be to confirm in terms of modern Western psychology all what Indian
aestheticians and in particular Abhinavagupta propounded. Commendable as the
attempt is, it does not make the inner coherence of the Indian cultural system
without calling for the help of external props (i.e., Gurdjieff’s theory, for
instance) its sole starting point. The corresponding theories from outside the
indigenous system should be referred to only after the case is independently
established within it. As it has been already said, the method adopted by the
author is valid and it is here challenged because of different, we would say,
'Weltanschauung.'" (Byrski,
14 Sep. 1984).
This is a summary of the bisociative theory of humor that I presented as an
essay (Referat) at the Max Mueller Bhavan, Poona (India) in June 1984. It does
so through a rapid critique of the manner in which Bergson, Freud and Koestler
have handled the bisociative patterns.